LIVE REVIEW: Goldfrapp

WORTH A LOOK?: ****

WHERE: Camden Roundhouse

WHEN: 27/3

SETLIST: Utopia; Lovely Head; Anymore; Train; Ocean; Moon In Your Mouth; You Never Know; Dreaming; Slide In; Everything Is Never Enough; Become The One; Systemagic; Number One; Ride A White Horse; Black Cherry; Shiny and Warm; Ooh La La; Strict Machine

Goldfrapp last played in London when they headlined an Albert Hall gig in November 2014 and were joined onstage by kindred spirit John Grant to close the book on their downbeat, cinematic and folky Tales Of Us album.

  • Read on for reasons including what new album Silver Eye sounds like

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9 reasons why we can’t wait for March

  1. Sheena Easton debuts in 42nd Street

We’ve never seen 42nd Street but are very excited by the West End debut casting of Sheena Easton who we remember as far back in her career as 9 to 5 (see below) and her duet with Prince. Opens at the Theatre Royal Drury Lane 20/3 and booking through July. Tickets Picture via Facebook courtesy 42nd Street.

  • Read on for reasons including Goldfrapp, The Goat, Or Who Is Sylvia? and Marc Almond

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SINGLE REVIEW: Anymore by Goldfrapp

WORTH A LOOK?: ****

OUT: 27/1

Long-standing fans of this band have been aware for a while about how easily their more folk musings sit alongside the electro anthems that have propelled them to their most popular periods.

  • Read on for reasons including what to expect from next album Silver Eye

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5 things we know about next John Grant album Grey Tickles, Black Pressure

  1. Lead track Disappointing is more pop than anything on Pale Green Ghosts

Does anyone have a better taste in female duet partners? We saw Grant three times last year: Glastonbury, Royal Festival Hall and duetting with Alison Goldfrapp at the Albert Hall. Sinead O’Connor appeared on last proper album Pale Green Ghosts and here former Everything But The Girl star Thorn is duetting (see YouTube clip above) on gorgeous lines like: ‘Francis Bacon, the Dolomites, ballet dancers with or without tights, Central Park on an autumn day, always stunning and never cliche.’ And if that sounds too Vogue Madonna, the chorus reverts to type (‘All these things, they’re just Disappointing …’) until the O’Connor-esque payoff (‘… compared to you.’) Musically, it’s a return to the jauntier elements of breakthrough Queen of Denmark album.

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