THEATRE REVIEW: Les Liaisons Dangereuses starring Lesley Manville and Aidan Turner at the National Theatre

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By Neil Durham

WORTH A LOOK?: ****

WHEN? Monday 30 March, opens 1 April and runs through 6 June 2026 RUNTIME: 180 minutes (includes a 20-minute interval)

Manville (Oedipus, Wyndham’s Theatre) played young virgin Cécile in the original Royal Shakespeare Company production of this 1985 play and so it’s deliciously appropriate she returns to lead the cast in this Marianne Elliott-directed (COCK, Ambassadors Theatre) revival.

  • Read on for reasons including how this is a wonderfully cast romp through a razor-sharp period piece which doesn’t quite convince of its relevance to today
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THEATRE REVIEW: Choir Boy starring Terique Jarrett at Stratford East

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By Neil Durham

WORTH A LOOK?: ***1/2

WHEN? Saturday 28 March, opens 31 March and runs through 25 April 2026 RUNTIME: 140 minutes (including a 20-minute interval)

Author Tarell Alvin McCraney won the 2017 Oscar for Best Adapted Screenplay for Moonlight and like that film Choir Boy is the story of a young black man struggling with his sexuality.

  • Read on for reasons including how this is exactly the sort of work we’ve longed to see at this venue
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ALBUM OF THE MONTH: Sexistential by Robyn (March 2026)

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WORTH A LOOK?: ****

Tracklist: Really Real; Dopamine; Blow My Mind; Sucker For Love; It Doesn’t Mean A Thing; Talk To Me; Sexistential; Light Up; Into The Sun

We last saw Robyn onstage at The 02 as special guest of Charli XCX in 2024 and this summer she headlines there with this comeback album.

  • Read on for reasons including how Robyn’s a trailblazer who’s maturing while still horny for Prince influences despite new motherhood post-break up
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THEATRE REVIEW: Romeo and Juliet starring Sadie Sink at the Harold Pinter Theatre

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By Neil Durham

WORTH A LOOK?: *****

WHEN? Friday 27 March, opens 31 March and runs through 20 June 2026 RUNTIME: 175 minutes (including a 20-minute interval)

Sink may have found worldwide fame with Netflix’s Stranger Things but the 23-year-old has been performing in theatre since 2011 including as the lead in Annie on Broadway and being nominated for a Tony as Best Actress last year for John Proctor Is The Villain which has just opened in London.

  • Read on for reasons including how Sadie Sink is a mesmerising heroine in this production which breathes new life into a classic
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THEATRE REVIEW: Rachel Zegler and Ben Platt in The Last Five Years at the London Palladium

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By Neil Durham

WORTH A LOOK?: ****1/2

WHEN? Tuesday 25 March and runs through 29 March 2026 RUNTIME: 90 minutes (no interval)

Zegler (EVITA, London Palladium) plays struggling actress Cathy in this 25th anniversary concert performance of a musical opposite Ben Platt’s Jamie who is becoming a successful author.

  • Read on for reasons including how Zegler and Platt give thrilling performances in this unusual concert staging
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THEATRE REVIEW: Avenue Q at Shaftesbury Theatre

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By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 21 March (matinee), opens 16 April and runs through August 29 2026 RUNTIME: 140 minutes (with a 20-minute interval)

With song titles like It Sucks To Be Me, If You Were Gay and Everyone’s A Little Bit Racist, this 3-time Tony Award winner is very much an adult take on Sesame Street with puppets.

  • Read on for reasons including how Avenue Q has lots of irreverent laughs and more fun-filled songs than you could shake a stick (puppet) at
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THEATRE REVIEW: John Proctor Is The Villain at the Royal Court Theatre

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By Neil Durham

WORTH A LOOK?: ***

WHEN? Saturday 21 March, opens 26 March and runs through 25 April 2026 RUNTIME: 105 minutes (no interval)

‘Well those rumours, they have big teeth, hope they bite you. Thought you said that you would always be in love but you’re not in love no more,’ sings Lorde on Green Light as modern day female high school students lip synch to it in an attempt to make sense of the situation they’re in.

  • Read on for reasons including how this will spark many talking points without necessarily providing the theatrical heft to settle any of them
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THEATRE REVIEW: Kinky Boots starring Johannes Radebe and Matt Cardle at the London Coliseum

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By Neil Durham

WORTH A LOOK?: ****

WHEN? Thursday 19 March, opens 29 March and runs through 11 July 2026 RUNTIME: 140 minutes (including a 20-minute interval)

Condragtulations to Strictly professional dancer Radebe who makes the transition to West End leading man with perfect poise and in fine voice.

  • Read on for reasons including how this is Radebe’s musical theatre debut and he’s the perfect fit for this show
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THEATRE REVIEW: A Mirrored Monet: The Musical starring Dean John-Wilson at Charing Cross Theatre

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By Aline Mahrud

WORTH A LOOK?: ***

WHEN? Tuesday 17 March, opens 24 March and runs through 9 May 2026 RUNTIME: 140 minutes (including 20-minute interval)

The best thing about this musical of the life of French painter and founder of the Impressionists Monet is when his wife contemplates their relationship in 11pm number There Are No Stars.

  • Read on for reasons including whether Monet’s story benefitted from musical form and why the songs weren’t better
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THEATRE REVIEW: Teeth ‘n’ Smiles starring Rebecca Lucy Taylor – Self Esteem – and Phil Daniels at Duke Of York’s Theatre

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By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 14 March, opens 25 March and runs through 6 June 2026 RUNTIME: 150 minutes (including a 20-minute interval)

Three-quarters of the way through this revival of a David Hare play with music which originally starred Helen Mirren its new star Rebecca Lucy Taylor, better known as Self Esteem, sits on the steps leading up to the stage and plays a new song she has written herself solo on the guitar as her character finds her voice.

  • Read on for reasons including how Self Esteem updates this work with new material that brings real soul and authenticity to it
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