THEATRE REVIEW: Teenage Dick at the Donmar starring Daniel Monks

WORTH A LOOK?: *****

WHERE? Donmar Warehouse RUNTIME: 100 minutes (no interval)

WHEN? 7/12, press night 12/12, runs to 1/2/20

Actor Daniel Monks has hemiplegia and author Mike Lew tailored his script for the British premiere of his reimagining of Shakespeare’s Richard III to modern-day US high school Roseland High.

* Read on for reasons including how it boasts one of the most accomplished theatrical performances of the year

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LAST NIGHT: GIG REVIEW: Sigrid at the Eventim Apollo

WORTH A LOOK?: ****

WHERE? Eventim Apollo

WHEN? 4/12/19

SETLIST: Mine Right Now; In Vain; Schedules; Plot Twist; Raw; Sight Of You; Don’t Kill My Vibe; Level Up; High Five; Fake Friends; Business Dinners; Sucker Punch; Dynamite; Home To You; Basic: Never Mine; Strangers; Don’t Feel Like Crying

It’s the last night of Sigrid’s tour, she’s a second album to write and she leaves us with a truly memorable show and wanting more.
* Read on for reasons including how ballad Dynamite wins prolonged applause here

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THEATRE REVIEW: The Duchess of Malfi starring Lydia Wilson at the Almeida

WORTH A LOOK?: ****

WHERE? Almeida RUNTIME: 175 minutes (including a 15-minute interval)

WHEN? 2/12, press night 10/12, runs to 25/1/20

The Duchess of Malfi is a Jacobean revenge tragedy written in the 17th century by English dramatist John Webster that is unusual for having a female protagonist.

* Read on for reasons including what Olivier Award-nominated director Rebecca Frecknall brings to this

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THEATRE REVIEW: Cyrano de Bergerac starring James McAvoy at the Playhouse Theatre

WORTH A LOOK?: ***1/2

WHERE? Playhouse Theatre RUNTIME: 170 minutes (including a 20-minute interval)

WHEN? 30/11, press night 6/12, runs to 29/2/20

‘This’ll work – I’ve seen it in a movie with Steve Martin.’ So says McAvoy to much audience laughter as Cyrano de Bergerac before impersonating friend Christian who is struggling to woo the challenging Roxane.

  • Read on for reasons including why this isn’t quite the crown on top of a remarkable year for director Jamie Lloyd

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