It’s almost Christmas and what would the festive season be without some recognition of the best of 2017? Over the next month we’ll shortlist five nominees in each of 13 categories for our Oscars, or monstas if you will, of 2017.
Read on for nominees for the monsta for Song of the year. 2016 winner: Can’t Stop the Feeling by Justin Timberlake
Second album Melodrama out on Friday is our favourite of 2017 so far. Writer In The Dark is pure Kate Bush, Perfect Places where we’d love Robyn to go and the lyrics are as brimful of character (she’s 19 and she’s on fire) as the likes of Green Light and Supercut are dancefloor friendly.
Read on for reasons including Katy Perry, Charli XCX, Goldfrapp & Chic
SETLIST: Utopia; Lovely Head; Anymore; Train; Ocean; Moon In Your Mouth; You Never Know; Dreaming; Slide In; Everything Is Never Enough; Become The One; Systemagic; Number One; Ride A White Horse; Black Cherry; Shiny and Warm; Ooh La La; Strict Machine
Goldfrapp last played in London when they headlined an Albert Hall gig in November 2014 and were joined onstage by kindred spirit John Grant to close the book on their downbeat, cinematic and folky Tales Of Us album.
Read on for reasons including what new album Silver Eye sounds like
We’ve never seen 42nd Street but are very excited by the West End debut casting of Sheena Easton who we remember as far back in her career as 9 to 5 (see below) and her duet with Prince. Opens at the Theatre Royal Drury Lane 20/3 and booking through July. Tickets Picture via Facebook courtesy 42nd Street.
Read on for reasons including Goldfrapp, The Goat, Or Who Is Sylvia? and Marc Almond
Lead track Disappointing is more pop than anything on Pale Green Ghosts
Does anyone have a better taste in female duet partners? We saw Grant three times last year: Glastonbury, Royal Festival Hall and duetting with Alison Goldfrapp at the Albert Hall. Sinead O’Connor appeared on last proper album Pale Green Ghosts andhere former Everything But The Girl star Thorn is duetting (see YouTube clip above) on gorgeous lines like: ‘Francis Bacon, the Dolomites, ballet dancers with or without tights, Central Park on an autumn day, always stunning and never cliche.’ And if that sounds too Vogue Madonna, the chorus reverts to type (‘All these things, they’re just Disappointing …’) until the O’Connor-esque payoff (‘… compared to you.’) Musically, it’s a return to the jauntier elements of breakthrough Queen of Denmark album.