There’s a moment during this dark Noel Coward revival when Stephen Mangan’s Elyot expertly plays his wordless response to Rachael Stirling’s ex-wife Sibyl (The Way You Look Tonight) on the piano and it’s absolutely exquisite.
Read on for reasons including how this revival accentuated the darkness of the hilarious script
WORTH A LOOK?: *** RUNTIME: 140 minutes (including a 20 minute interval)
Southwark Playhouse is currently running theatres in 2 different south London locations and tonight we mistakenly pitch up at the new Elephant rather than the old Borough site which is our bad but gives a little insight into the rather haphazard nature of this venue.
Read on for reasons including how director Georgie Rankcom stepped into the cast seamlessly at this performance
WHEN?: Wednesday 24 May, runs until 1 July 2023 RUNTIME: 135 minutes (including a 20-minute interval)
The most emotional moments during this 1-woman performance of the Dickens coming of age classic are when Izzard, who plays all the 20-or-so parts, conveys the heartache of not being the choice of someone loved by main character Pip.
Read on for reasons including how there aren’t many people we could think of who could carry this off
WHEN?: Saturday 22 April (matinee), running to 29 April 2023 RUNTIME: 130 minutes (including a 20-minute interval)
Leading man Lewis Brown took over from writer/star Danny Lee Wynter midway through this run after the creator withdrew for personal reasons and it’s all credit to this production that you could never tell.
Read on for reasons including how we’re looking forward to playwright Wynter’s next role and written work
WHEN?: Wednesday 10 May, runs until 12 August 2023
Songwriter Dan Gillespie Sells and director Jonathan Butterell have reunited after the success of musical Everybody’s Talking About Jamie to create something quite understated, haunting and beautiful with their take on Brokeback Mountain.
Read on for reasons including how it is former Fairground Attraction frontwoman Eddi Reader who steals this show
WHEN?: Saturday 8 April (matinee), runs through 5 August 2023 RUNTIME: 220 minutes (including a 20-minute interval)
It’s hard for us to appreciate the popularity of this play because it is based on a best-selling 2015 book by Hanya Yanigihara we’ve not read and stars a much in-demand actor we’re not especially a fan of.
Read on for reasons including how this play is perhaps too reverential to its source material