THEATRE REVIEW: Death Note: The Musical at Barbican Centre

By Neil Durham

WORTH A LOOK?: ***

WHEN? Saturday 1 August, opens 11 August and runs through 12 September 2026.

It feels like musical theatre has never been more popular and yet we can’t help but also think that not everything’s ripe to see its characters burst into song.

  • Read on for reasons including how this should have stuck to its Post-Its rather than its musical notes
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THEATRE REVIEW: I’m Every Woman: The Chaka Khan Musical starring Alexandra Burke at Troubadour Wembley Park Theatre

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN? Sunday 2 August (matinee), opens 4 August and runs through 27 September 2026 RUNTIME: 160 minutes (including a 20-minute interval)

X Factor winner Burke (Chicago, Phoenix Theatre) is Chaka Khan and encores with a mash-up of her biggest hits – I Feel For You, Ain’t Nobody and I’m Every Woman – and it’s a joyous end to the story of a complicated woman born ahead of her time in the surprise hit show of the summer.

  • Read on for reasons including how we were expecting to see Burke’s understudy
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THEATRE REVIEW: Cats starring Melanie La Barrie & Gary Wilmot at Regent’s Park Open Air Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 1 August (matinee), opens 6 August and runs through 12 September 2026 RUNTIME: 135 minutes (including a 20-minute interval)

It’s the extraordinarily moving song Memory – sample lyric: ‘I remember the time I knew what happiness was, let the Memory live again’ – which elevates this Andrew Lloyd Webber musical based on T.S. Eliot’s poems in Old Possum’s Book Of Practical Cats.

  • Read on for reasons including how to see this show on tour around the UK after this run
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THEATRE REVIEW: How The Other Half Loves at the Old Vic starring Roger Allam

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Wednesday 29 July, opens 11 August and runs through 19 September 2026 RUNTIME: 180 minutes (with a 20-minute interval but aiming for 150 minutes)

Olivier Award-winner Roger Allam (A Number, Bridge Theatre) is the hilarious best reason to see this farce as bumbling businessman Frank Foster who fails to realise his wife is cheating on him.

  • Read on for reasons including how this timely production could ride the crest of the wave as a whole new audience discovers its writer’s genius
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THEATRE REVIEW: Cleansed starring Pearl Chanda, Jack Riddiford, Stuart Thompson & Leo Bill at the Almeida Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN? Friday 24 July, opens 29 July and runs through 29 August 2026 RUNTIME: 100 minutes (no interval)

Our performance is stopped almost midway through for what was described as ‘a 1st aid front of house incident’ and we imagine it was in response to the spurting blood as a character’s tongue is cut off.

  • Read on for reasons including how this is exactly the sort of play that can remind about the power of theatre to change its audience
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THEATRE REVIEW: The Oresteia starring Rosie Sheehy, Mary-Louise Parker, Tom Glynn-Carney & David Morrissey at the Bridge Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN? Monday 20 July and runs through 19 September 2026 RUNTIME: 215 minutes (including 2 15-minute intervals)

Can a play ever be too long?

  • Read on for reasons including how thanks to its fantastic cast this is 1 of the best revivals of the year so far
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THEATRE REVIEW: Jesus Christ Superstar starring Sam Ryder, Tyrone Huntley, Desmonda Cathabel & Richard Armitage at London Palladium

By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 18 July, and runs through 5 September 2026. Transfers to Theatre Royal Drury Lane 16 October through 9 January 2027. Tickets Also UK tour 11 February 2027 through 23 October 2027 RUNTIME: 125 minutes (including a 20-minute interval)

The summer success of last year’s Olivier Award-winning EVITA! perhaps made this resurrection of a recent Regent’s Park Open Air Theatre production of an Andrew Lloyd Webber classic an obvious choice as follow up.

  • Read on for reasons including how Ryder gives so much vocally it may be unsustainable 8 shows a week
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THEATRE REVIEW: Hit Machine starring Noah Galvin, Josh Radnor & Khalil Madovi at Soho Theatre

By Aline Mahrud

WORTH A LOOK?: ***

WHEN? Thursday 16 July and runs through 15 August 2026 RUNTIME: 75 minutes (without interval)

Galvin (pictured above left) makes his London theatre debut while his husband Ben Platt is about to open across town in new musical Midnight At The Never Get at the Menier Chocolate Factory.

  • Read on for reasons including how Hit Machine is smart, funny and bursting with songs
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FIRST LOOK THEATRE: Midnight At The Never Get starring Ben Platt at the Menier Chocolate Factory

By Neil Durham

WORTH A LOOK?: Awards potential

WHEN? Monday 13 July, opens 20 July and runs through 12 September 2026 RUNTIME: 100 minutes (no interval)

As this musical reaches its conclusion we can hear sniffing, stifled sobbing and crying around our front row seat showing the work’s immediate emotional impact.

  • Read on for reasons including Midnight At The Never Get will make you think, make you laugh and make you cry
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THEATRE REVIEW: Ride The Cyclone starring Divina de Campo at the Southwark Playhouse (Elephant)

By Neil Durham

WORTH A LOOK?: ****

WHEN? Sunday 21 June, opens 24 June and runs through 22 August 2026 RUNTIME: 90 minutes (no interval)

We really weren’t expecting to love this new musical as much as we did and we wonder whether it is its creators’ fondness for the awkward British humour of Ricky Gervais, Stephen Merchant and the Pythons that won us over.

  • Read on for reasons including how, if you’re looking for a dark horse musical that’s a bit edgy, eerie yet a wild experience, come Ride The Cyclone!
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