THEATRE REVIEW: May Day starring Jo Foster at the King’s Head Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN? Friday 19 June, runs through 21 June 2026 RUNTIME: 85 minutes (no interval)

The big draw of this workshop production of a new musical is the central role for the Olivier Award-nominated Jo Foster (Into The Woods, Bridge Theatre and Why Am I So Single?, Garrick Theatre).

  • Read on for reasons including how May Day has real potential with a little tender loving care to find and bare its West End legs
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TV PREVIEW/REVIEW: 6 reasons why you should watch Half Man

By Neil Durham

Richard Gadd won Emmys for writing, producing and acting in Baby Reindeer – which won 6 in all – and Half Man is arguably his even darker follow-up about 2 brothers ‘from another lover’ across 30 years.

  • Read on for reasons including how Half Man is more thought provoking than even Baby Reindeer
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THEATRE REVIEW: High Society starring Helen George, Felicity Kendal, Julian Ovenden & Freddie Fox at Barbican Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Saturday 23 May (matinee), opens 3 June and runs through 11 July 2026 and then tours through 14 November 2026 RUNTIME: 150 minutes (including a 20-minute interval)

Helen George (Love In Idleness, Menier) may still be best known for TV’s Call The Midwife and is the central character here as Long Island socialite Tracy Lord planning a June 1938 wedding to accountant George Kittredge.

  • Read on for reasons including how this production maintains the general standard of this venue’s traditional summer musical blockbuster revival
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PREVIEW: 9 reasons why we can’t wait for June 2026 starring Pride

  1. Pride at the National Theatre

Writer and director Stephen Beresford and Matthew Warchus (Oedipus, Old Vic) return from the 2014 film for the musical of a group of gay men and lesbians supporting the striking miners in the 80s. Stars Samuel Barnett (Feeling Afraid As If Something Terrible Is About To Happen, Bush Theatre) at the National’s Dorfman Theatre 11 June through 12 September 2026. Original music by DJ Walde (SYLVIA, Old Vic). Tickets Our review

  • Read on for reasons including Russell Tovey in Guilty, Midsummer Night’s Dream and Glengarry Glen Ross
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THEATRE REVIEW: Equus starring Toby Stephens, Amanda Abbington & Noah Valentine at Menier Chocolate Factory

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 9 May (matinee), opens 18 May and runs through 4 July 2026 RUNTIME: 170 minutes (including a 20-minute interval)

Inside No 9 and Waterloo Road‘s Noah Valentine follows in the footsteps of Daniel Radcliffe in baring all as troubled 17-year-old Alan Strang who is blinding horses.

  • Read on for reasons including how this version is so strong we do expect it to transfer to the West End
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THEATRE REVIEW: An Adequate Abridgement Of Boarding School Life As A Homo at Riverside Studios, Hammersmith

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Friday 8 May and runs through 10 May 2026 RUNTIME: 60 minutes (interval)

It’s a tale as old as time but young gay love story Homo is the anti-Heartstopper.

  • Read on for reasons including how Homo gives us neither the easy answer or ties up all of its very many loose ends
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THEATRE REVIEW: Slippery starring John McCrea & Perry Williams at the Omnibus Theatre, Clapham

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN? Sunday 23 March, runs through 11 April 2026 RUNTIME: 80 minutes (no interval)

What would you do if the ex-boyfriend you ghosted for 10 years put you down as his emergency contact and the hospital called to ask you to pick him up after an accident?

  • Read on for reasons including how this captivating 2-hander refuses to let its audience out of its vice-like grip
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THEATRE REVIEW: Choir Boy starring Terique Jarrett at Stratford East

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN? Saturday 28 March, opens 31 March and runs through 25 April 2026 RUNTIME: 140 minutes (including a 20-minute interval)

Author Tarell Alvin McCraney won the 2017 Oscar for Best Adapted Screenplay for Moonlight and like that film Choir Boy is the story of a young black man struggling with his sexuality.

  • Read on for reasons including how this is exactly the sort of work we’ve longed to see at this venue
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THEATRE REVIEW: John Proctor Is The Villain at the Royal Court Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN? Saturday 21 March, opens 26 March and runs through 25 April 2026 RUNTIME: 105 minutes (no interval)

‘Well those rumours, they have big teeth, hope they bite you. Thought you said that you would always be in love but you’re not in love no more,’ sings Lorde on Green Light as modern day female high school students lip synch to it in an attempt to make sense of the situation they’re in.

  • Read on for reasons including how this will spark many talking points without necessarily providing the theatrical heft to settle any of them
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