By Neil Durham
WORTH A LOOK?: *****
WHEN?: Saturday 8 February (matinee), opens 13 February and runs through 26 April 2025 RUNTIME: 140 minutes (with a 20-minute interval)
We’re at dinner with friends the night before we see this and they mention they caught it on its 1st preview.
Bailey (film Wicked and COCK, Ambassadors) stars in this Shakespeare directed by Nicholas Hytner (Giant, Royal Court and transferring to the Harold Pinter Theatre) at the Bridge Theatre. Runs 10 February through 10 May 2025 Tickets Our review
By Aline Mahrud
WORTH A LOOK?: ****
WHEN?: Saturday 27 May 2023 (last night)
There’s a moment during this dark Noel Coward revival when Stephen Mangan’s Elyot expertly plays his wordless response to Rachael Stirling’s ex-wife Sibyl (The Way You Look Tonight) on the piano and it’s absolutely exquisite.
We have our tickets and UK Eurovision entry I Wrote A Song by Mae Muller was April’s song of the month for us and is the country’s best effort since the almighty (Ooh Aah) Just A Little Bit by Gina G. Our favourite however is Tattoo by Loreen (pictured) for Sweden. Check out our Semi 1, Semi 2 and Final predictions for the 1st Eurovision in the UK since Dana International won in Birmingham 25 years ago. Tickets Rehearsals start on 30 April and we’ll be refining our predictions as we see footage. Final predictions
WORTH A LOOK?: ***
WHERE: Harold Pinter Theatre
WHEN: 19/1, runs to 14/4/18
More than 60 years after the curtain came down on Harold Pinter’s second play in London after dire reviews and just eight performances, it is revived again.
Kathy Burke (whose The Retreat at the Park Theatre earlier this year was lots of fun) directs Jennifer Saunders in this Oscar Wilde play for Dominic Dromgoole’s Classic Spring theatre company as a follow-up to his delightful A Woman Of No Importance. Runs 12/1 to 7/4 at the Vaudeville Theatre. Tickets
