musical

THEATRE REVIEW: Redcliffe starring Jordan Luke Gage at Southwark Playhouse (The Large)

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 23 May, opens 27 May and runs through 4 July 2026 RUNTIME: 135 minutes (including a 20-minute interval)

Welcome to the best new musical of 2026 so far with a book, music and lyrics by Jordan Luke Gage who you may have seen leading musicals including Bonnie & Clyde.

  • Read on for reasons including how we fell head over heels in love with the songs and even shed a few tears throughout
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THEATRE REVIEW: High Society starring Helen George, Felicity Kendal, Julian Ovenden & Freddie Fox at Barbican Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Saturday 23 May (matinee), opens 3 June and runs through 11 July 2026 and then tours through 14 November 2026 RUNTIME: 150 minutes (including a 20-minute interval)

Helen George (Love In Idleness, Menier) may still be best known for TV’s Call The Midwife and is the central character here as Long Island socialite Tracy Lord planning a June 1938 wedding to accountant George Kittredge.

  • Read on for reasons including how this production maintains the general standard of this venue’s traditional summer musical blockbuster revival
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PREVIEW: 9 reasons why we can’t wait for June 2026 starring Pride

Posted on by mrmonstagigz

  1. Pride at the National Theatre

Writer and director Stephen Beresford and Matthew Warchus (Oedipus, Old Vic) return from the 2014 film for the musical of a group of gay men and lesbians supporting the striking miners in the 80s. Stars Samuel Barnett (Feeling Afraid As If Something Terrible Is About To Happen, Bush Theatre) at the National’s Dorfman Theatre 11 June through 12 September 2026. Original music by DJ Walde (SYLVIA, Old Vic). Tickets

  • Read on for reasons including Russell Tovey in Guilty, Midsummer Night’s Dream and Glengarry Glen Ross
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THEATRE REVIEW: Kate Butch at Wilton’s Music Hall

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Thursday 9 April, runs through 17 May 2026 RUNTIME: 130 minutes (including a 20-minute interval)

‘Give me a shout if you’ve never heard of me before’, asks the RuPaul’s Drag Race UK vs The World runner up as part of the audience warm-up. ”Don’t they sound sad?’

  • Read on for reasons including how Butch is definitely our favourite and wittiest queen from Drag Race
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THEATRE REVIEW: Romeo and Juliet starring Sadie Sink at the Harold Pinter Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: *****

WHEN? Friday 27 March, opens 31 March and runs through 20 June 2026 RUNTIME: 175 minutes (including a 20-minute interval)

Sink may have found worldwide fame with Netflix’s Stranger Things but the 23-year-old has been performing in theatre since 2011 including as the lead in Annie on Broadway and being nominated for a Tony as Best Actress last year for John Proctor Is The Villain which has just opened in London.

  • Read on for reasons including how Sadie Sink is a mesmerising heroine in this production which breathes new life into a classic
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THEATRE REVIEW: Avenue Q at Shaftesbury Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 21 March (matinee), opens 16 April and runs through August 29 2026 RUNTIME: 140 minutes (with a 20-minute interval)

With song titles like It Sucks To Be Me, If You Were Gay and Everyone’s A Little Bit Racist, this 3-time Tony Award winner is very much an adult take on Sesame Street with puppets.

  • Read on for reasons including how Avenue Q has lots of irreverent laughs and more fun-filled songs than you could shake a stick (puppet) at
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THEATRE REVIEW: A Mirrored Monet: The Musical starring Dean John-Wilson at Charing Cross Theatre

Posted on by mrmonstagigz

By Aline Mahrud

WORTH A LOOK?: ***

WHEN? Tuesday 17 March, opens 24 March and runs through 9 May 2026 RUNTIME: 140 minutes (including 20-minute interval)

The best thing about this musical of the life of French painter and founder of the Impressionists Monet is when his wife contemplates their relationship in 11pm number There Are No Stars.

  • Read on for reasons including whether Monet’s story benefitted from musical form and why the songs weren’t better
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THEATRE REVIEW: Evening All Afternoon starring Anastasia Hille at the Donmar

Posted on by mrmonstagigz

By Aline Mahrud

WORTH A LOOK?: ***1/2

WHEN?: Friday 20 February, opens 24 February and runs through 11 April 2026 RUNTIME: 85 minutes (no interval)

Anastasia Hille (A Midsummer Night’s Dream, Young Vic) plays Jennifer, a woman marrying late and nervous about how she is perceived by her soon-to-be stepdaughter.

  • Read on for reasons including how meditating on grief, acceptance, unexpected love and finding contentment where you never dared look are themes that feel universal
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THEATRE REVIEW: The Unlikely Pilgrimage of Harold Fry starring Mark Addy at Theatre Royal Haymarket

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN? Friday 30 January, opens 10 February and runs through 18 April 2026 RUNTIME: 150 minutes (including a 20-minute interval)

There’s a kindness and generosity of spirit about this new musical which reminds of the Olivier Award-winning The Curious Case Of Benjamin Button and a final reveal so devastating we spend much of the 2nd act shedding silent tears.

  • Read on for reasons including how this is a a feelgood musical with heartfelt songs that won’t fail to put a spring in your step
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PREVIEW: 9 reasons why we can’t wait for January 2026 starring The Unlikely Pilgrimage of Harold Fry

Posted on by mrmonstagigz

  1. The Unlikely Pilgrimage of Harold Fry

Passenger wrote the music and lyrics for this adaptation of the novel at Theatre Royal Haymarket starring The Full Monty‘s Mark Addy and Jenna Russell (Hello Dolly! London Palladium) running 29 January through 18 April 2026. It’s the story of a man who receives a letter from a long-lost friend and walks from Devon to Berwick-upon-Tweed. Tickets Our review

  • Read on for reasons including American Psycho, I’m Sorry Prime Minister and The History Of Sound
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