THEATRE REVIEW: Before After starring Rosalie Craig and Hadley Fraser at the Southwark Playhouse

WORTH A LOOK?: ***

WHERE?: Southwark Playhouse

WHEN?: 26/9 (matinee) closes 26/9/20

Hadley Fraser and Rosalie Craig are a real-life husband and wife and their easy chemistry is the best thing about this story of a relationship told both before and after a life-changing event.

  • Read on for reasons including how to watch productions from this venue even while it is closed for performances

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PREVIEW: 9 reasons why we can’t wait for September 2020 starring Talking Heads

  1. Talking Heads at the Bridge starring Monica Dolan and Imelda Staunton

Alan Bennett’s original series of monologues aired on BBC1 in 1988 to much acclaim with a second season debuting on the same channel a decade later. Two new scripts were written for a third BBC1 series in 2020 during which 10 of the originals were remade. To celebrate, the Bridge Theatre stages eight of the latest 12 in four pairs beginning 7/9 and running to 31/10 starring two winners of our Best Theatre Actress monsta Monica Dolan and Imelda Staunton. Tickets

  • Read on for reasons including Sara Pascoe at the Greenwich Comedy Festival, Andrew Scott and new Hurts¬†

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THEATRE REVIEW: City Of Angels starring Vanessa Williams, Theo James, Hadley Fraser, Rosalie Craig, Rebecca Trehearn and Nicola Roberts at the Garrick Theatre

WORTH A LOOK?: ****1/2

WHERE? Garrick Theatre RUNTIME: 160 minutes (including a 20-minute interval)

WHEN? 14/3, press night 24/3 booking to 5/9/20

The Donmar revival of this musical homage to the film noir genre of motion pictures that rose to prominence in the 1940s was one of the reasons the authors of this blog started writing monstagigz.

  • Read on for reasons including details of the West End debuts of Williams, Jones and Roberts

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THEATRE REVIEW: The Antipodes starring Arthur Darvill, Conleth Hill & Fisayo Akinade

WORTH A LOOK?: **1/2

WHERE? Dorfman Theatre, National  RUNTIME: 110 minutes without interval

WHEN? 26/10 (matinee), press night 30/10, runs to 23/11/19

We’re at this preview of Annie Baker’s new play set in what appears to be a present-day US writers’ room because it has a mouthwatering ensemble cast.

  • Read on for reasons including how we’d find this a difficult play to recommend

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