THEATRE REVIEW: Oh Mary! starring Mason Alexander Park & Giles Terera at the Trafalgar Theatre

By Neil Durham

WORTH A LOOK? *****

WHEN? Thursday 4 December, opens 18 December and runs through 25 April 2026 RUNTIME 80 minutes (without interval)

There’s so much that’s troubling going on in the world right now that sometimes it’s easy to forget the importance of laughing daily.

  • Read on for reasons including how Oh Mary! is arguably London’s funniest comedy of the moment
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THEATRE REVIEW: Passing Strange starring Giles Terera at the Young Vic

By Aline Mahrud

WORTH A LOOK?: ****

WHEN?: Wednesday 15 May, opens 21 May and running through 6 July 2024 RUNTIME: 155 minutes (including a 20-minute interval)

Spring into summer feels like the perfect time for this coming-of-age musical with a sting in its tail to debut in London about an African American youngster – the Youth – who flees to Europe to find himself through sex, drugs and protest art.

  • Read on for reasons including how this is entertaining and thought-provoking and well worth your time
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PREVIEW: 9 reasons why we can’t wait for May 2024 starring Dominic West in A View From The Bridge

  1. A View From The Bridge in the West End

Transferring from Bath’s Theatre Royal, this Lindsay Posner production stars Dominic West (TV’s The Crown), Kate Fleetwood (Ugly Lies The Bone, National Theatre) and Callum Scott Howells (Cabaret, Kit Kat Club) in this Arthur Miller play about 1 man’s place in the close-knit American-Italian community of 1950s New York. Runs 23 May through 3 August 2024 at Theatre Royal Haymarket. Tickets Our preview review

  • Read on for reasons including Olly Alexander, Boys From The Blackstuff and Thompson Twins’ Tom Bailey
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THEATRE REVIEW: Power Of Sail starring Julian Ovenden & Giles Terera at the Menier

By Aline Mahrud

WORTH A LOOK?: ****1/2

WHEN?: Wednesday 27 March 2024, runs through 12 May 2024 RUNTIME: 105 minutes (no interval)

The artwork (main picture) transforming the titular white sail with 2 eye holes into an image to strike fear into hearts isn’t the only subtlety in this play about an American university lecturer and boating enthusiast who invites a white nationalist to speak there.

  • Read on for reasons including how Power Of Sail is unafraid to question the motives of those on both left and right
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9 reasons why we can’t wait for October 2023 starring Kenneth Branagh as King Lear

  1. Kenneth Branagh’s King Lear reigns in the West End

We haven’t seen Branagh in the West End since The Kenneth Branagh Company’s year-long run of six plays at the Garrick Theatre closed in 2016 on its highest high with its star taking the lead in The Entertainer. Branagh also directs at the Wyndham’s Theatre 21 October through 9 December. Tickets Our recent Lears have included Sir Ian McKellen and the late Glenda Jackson. 1st preview review

  • Read on for reasons including Madonna, S Club reunion, Dear England‘s West End transfer and new Agnetha ABBA
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THEATRE REVIEW: Othello starring Giles Terera at the National Theatre

By Aline Mahrud

WORTH A LOOK?: *** RUNTIME: 180 minutes (including 20-minute interval)

WHEN?: Saturday 3 December (matinee), runs to 21 January 2023

Director Clint Dyer told the New York Times of his 1st visit to this venue in the 80s when he saw a picture in the auditorium of Laurence Olivier in blackface in the title role of this play in the 60s that broke his heart.

  • Read on for reasons including why we wanted this production of Othello to be so much better than it was
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9 reasons why we can’t wait for December 2022 starring Paul Mescal in A Streetcar Named Desire

  1. A Streetcar Named Desire directed by Rebecca Frecknall starring Paul Mescal

Frecknall directed Cabaret which still runs at the Kit Kat Club at the Playhouse Theatre and whose EmCees have included an Olivier-winning turn from Eddie Redmayne, Fra Fee and Callum Scott Howells. The star of the Tennessee Williams classic she has chosen to follow it up with won a Best TV/Film Actor from us in 2020 for Normal People (pictured above). Streetcar runs at the Almeida 12 December 2022 to 4 February 2023. Tickets Streetcar review Mescal currently stars in film Aftersun Review Note: now opens Saturday 17 December as leading lady Lydia Wilson withdraws for health reasons to be replaced by Olivier winner Patsy Ferran (Camp Siegfried, Old Vic)

  • Read on for reasons including Julian Clary, Sir Ian McKellen and Jack O’Connell
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THEATRE REVIEW: Black Matter starring Giles Terera

WORTH A LOOK?: ****

WHERE?: Le Crazy Coqs, Soho, London

WHEN? Friday 26 March 2021, available to 31 March 2021

HOW TO WATCH?: via Fane Productions, tickets RUNTIME: 60 minutes

Terera won an Olivier Award in 2018 for Hamilton and we know all about his West End pedigree thanks to seeing him in shows as diverse as Rosmersholm (Duke Of York’s), Pure Imagination (Other Palace) and Ma Rainey’s Black Bottom (National Theatre).

  • Read on for reasons including how Terera stepped aside to enable 1 of the theatrical performances of last year
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THEATRE REVIEW: Death of England: Delroy starring Michael Balogun at the National Theatre

WORTH A LOOK?: *****

WHERE?: National Theatre RUNTIME: 90 minutes (no interval)

WHEN: 21/10/20, opens 5/11/20, runs to 28/11/20 STOP PRESS: The 2nd lockdown means the last performance will now be 4/11/20 Watch this production for free on YouTube from 27/11/20 for 24 hours from 7pm

It’s a big week for UK theatre with the rescheduled Olivier Awards on Sunday and tonight (Wednesday 21 October) the National Theatre re-opened for the 1st time since lockdown in March.

  • Read on for reasons including what National Theatre director Rufus Norris took to the stage to say
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THEATRE REVIEW: Rosmersholm starring Hayley Atwell, Tom Burke & Giles Terera

WORTH A LOOK?: ****1/2

WHERE? Duke Of York’s RUNTIME: 2 hours and 30 minutes (with 20-minute interval)

WHEN? 29/4, opens 2/5 and runs until 20/7

It’s the night before the election and representatives of rival newspapers are visiting a grieving pastor whose story – and how it is told – they believe could influence the vote.

  • Read on for reasons including how now the subject matter of this 130-year-old play feels

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