THEATRE REVIEW: El Dia De La Marmota (Groundhog Day in Catalan) at Teatre Coliseum, Barcelona

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Friday 10 January, running through 22 March 2025 RUNTIME: 150 minutes (including a 20-minute interval)

We’ve been regularly visiting Barcelona for the last 25 years and only ever seen the musicals we love in Spanish, English or a mixture and so this is our 1st in the native Catalan.

  • Read on for reasons including how this joyous production stays true to the life-affirming charms of the London original
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THEATRE REVIEW: The Lightning Thief starring Max Harwood & Joaquin Pedro Valdes at the Other Palace

By Neil Durham

WORTH A LOOK?: ***

WHEN?: Sunday 5 January 2025, runs through 31 August 2025 RUNTIME: 125 minutes (including 20-minute interval)

The best thing about this coming-of-age story riffing on Greek mythology is the way it encourages difference to be viewed as a superpower.

  • Read on for reasons including how this musical is a triumph of world building rather let down by its songs
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THEATRE REVIEW: The Curious Case Of Benjamin Button at the Ambassadors Theatre

By Aline Mahrud

WORTH A LOOK?: ****

WHEN?: Friday 3 January, runs through 15 March 2025 Update: Extended through 31 May 2025 RUNTIME: 150 minutes (including a 20-minute interval)

Relocating F Scott Fitzgerald’s short story of a baby born as an elderly man and living his life backwards – best known as a 2008 film starring Brad Pitt – to the North Cornwall coast brings a community feel reminiscent of fellow musical Come From Away to this warm hug of a show.

  • Read on for reasons including how this is a heartwarming little gem of a show well worth seeking out if you can
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THEATRE REVIEW: Cat On A Hot Tin Roof starring Daisy Edgar Jones at the Almeida Theatre

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN?: Friday 27 December 2024, runs through 1 February 2025 RUNTIME: 180 minutes (including 2 intervals)

There’s a ghost at the piano in Rebecca Frecknall’s (A Streetcar Named Desire, Almeida) take on Tennessee Williams’ favourite of all his acclaimed plays who may be Skipper, whose love dared speak its name to ageing football jock Brick, but was rebuffed.

  • Read on for reasons including how Frecknall’s treatment of the material emphasises Maggie’s agency and, stylistically, it’s an absolute triumph
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THEATRE REVIEW: The Merchant Of Venice 1936 starring Tracy-Ann Oberman at Trafalgar Theatre

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN?: Sunday 29 December 2024, runs through 25 January 2025 and then tours the UK (details below) RUNTIME: 120 minutes with a 20-minute interval

This production began as a conversation in 2018 when Oberman told director Brigid Larmour she wanted to play Shylock as an East End matriarch in the 1930s, inspired by her great grandmother.

  • Read on for reasons including where and how to see this production on its tour after this memorable run
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THEATRE REVIEW: The Tempest starring Sigourney Weaver, Mason Alexander Park & Mathew Horne at Theatre Royal Drury Lane

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN?: Monday 9 December 2024, opens 17 December and runs through 1 February 2025 RUNTIME: 135 minutes (including a 20-minute interval)

We’ve certainly had the recent windy weather to fully appreciate the timing of this much looked-forward-to production starring Storm Sigourney.

  • Read on for reasons including how it’s only really when Weaver gets to her feet that this production has wind in its sails
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THEATRE REVIEW: Robin Hood starring Jane McDonald, Julian Clary, Marisha Wallace & Charlie Stemp at the London Palladium

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Sunday 8 December 2024, runs through 12 January 2025 RUNTIME: 150 minutes (with a 20-minute interval)

What would Morecambe and Wise do?

  • Read on for reasons including how this is the funniest, most heartfelt, joyous and dazzling the Palladium pantomime has ever been
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THEATRE REVIEW: Bette & Joan starring Greta Scacchi & Felicity Dean

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Thursday 5 December 2024, runs through 11 January 2025 RUNTIME: 135 minutes (including a 20-minute interval)

Heat and Dust, White Mischief, Presumed Innocent and The Player … if you’re wondering whatever happened to Greta Scacchi, the actress who appeared in those films, read on.

  • Read on for reasons including how this is serious subject matter given a delightfully funny airing thanks to a formidable duo
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THEATRE REVIEW: The Producers starring Andy Nyman & Marc Antolin at Menier Chocolate Factory

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 30 November 2024 (matinee), opens 9 December and runs through 1 March 2025 RUNTIME: 170 minutes (including interval) Update: Transfers to the Garrick 30 August 2025 through 21 February 2026 Tickets

Our companion whispers: ‘This is brilliant!’ in our ear at the end of 2nd song The King Of Old Broadway as Andy Nyman (film Wicked (Part 1) as down-on-his-luck producer Max Bialystock makes us forget we saw Nathan Lane (Angels In America, National Theatre) in the role in London’s West End.

  • Read on for reasons including how this was the funniest show our companion had seen for at least 10 years
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THEATRE REVIEW: Here And Now starring Rebecca Lock, Sharlene Hector & Blake Patrick Anderson at Alexandra Theatre, Birmingham

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Sunday 24 November (matinee) and runs through 30 November 2024 Tours UK and Ireland in 2025 and 2026 Tickets RUNTIME: 155 minutes (including a 20-minute interval)

A Steps musical needs a vocalist with the power of the band’s Claire Richards and, luckily for Here And Now, it has 3.

  • Read on for reasons including how this is moving, a lot of fun and a knowing budget Mamma Mia
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