PREVIEW: 9 reasons why we can’t wait for October 2026 starring Keira Knightley & Luke Thompson

  1. Keira Knightley in The Lives Of Others

Knightley performs in the West End for the 1st time since 2011 opposite Bridgerton‘s Luke Thompson (A Little Life, Harold Pinter Theatre) in this story of a writer and actor under surveillance in 1984 at the Adelphi Theatre. Written, adapted and directed by Robert Icke (Romeo and Juliet, Harold Pinter Theatre) Runs 14 October through 9 January 2027. Tickets

  • Read on for reasons including Kristin Scott Thomas, Tilda Swinton and Michelle Dockery in the new Ava Pickett
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THEATRE REVIEW: Four Play starring Jo Foster & Daniel Bravo at King’s Head Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN? Sunday 13 July, opens 15 July and runs through 17 August 2025 RUNTIME: 90 minutes (without interval)

The best thing about this 4-hander about monogamy in gay relationships is Foster’s (Why Am I So Single?, Garrick Theatre) heartfelt performance as Andy as they try to salvage their open relationship with gym-obsessed Michael (Daniel Bravo, Cruel Intentions, Other Palace).

  • Read on for reasons including how it’s a thrill to see such intimate and thought-provoking material in a studio setting
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9 reasons why we can’t wait for July 2025 starring Sean Hayes in Good Night, Oscar

  1. Sean Hayes from Will And Grace in Good Night, Oscar

Emmy and Tony Award-winner Hayes makes his London debut and plays the hottest late night talk show host in 1958 in this Broadway transfer to the Barbican. Runs 100 minutes without interval 31 July through 21 September 2025. Tickets Review

  • Read on for reasons including new Cian Ducrot, Samira Wiley in the West End and Culture Club
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THEATRE REVIEW: Spring Awakening starring Laurie Kynaston and Amara Okereke at the Almeida Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Tuesday 7 December, opens 17 December, booking until 22 January 2022 UPDATE: now extended to 29 January 2022

This production is so powerful that at 1 point a woman in the audience bursts into tears and has to leave while at another a young man is audibly sobbing behind our front row seat.

  • Read on for reasons including how we forecast both West End and Broadway transfers for this angry production
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