THEATRE REVIEW: Romeo and Juliet starring Sadie Sink at the Harold Pinter Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN? Friday 27 March, opens 31 March and runs through 20 June 2026 RUNTIME: 175 minutes (including a 20-minute interval)

Sink may have found worldwide fame with Netflix’s Stranger Things but the 23-year-old has been performing in theatre since 2011 including as the lead in Annie on Broadway and being nominated for a Tony as Best Actress last year for John Proctor Is The Villain which has just opened in London.

  • Read on for reasons including how Sadie Sink is a mesmerising heroine in this production which breathes new life into a classic
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THEATRE REVIEW: Rachel Zegler and Ben Platt in The Last Five Years at the London Palladium

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN? Tuesday 25 March and runs through 29 March 2026 RUNTIME: 90 minutes (no interval)

Zegler (EVITA, London Palladium) plays struggling actress Cathy in this 25th anniversary concert performance of a musical opposite Ben Platt’s Jamie who is becoming a successful author.

  • Read on for reasons including how Zegler and Platt give thrilling performances in this unusual concert staging
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THEATRE REVIEW: Avenue Q at Shaftesbury Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 21 March (matinee), opens 16 April and runs through August 29 2026 RUNTIME: 140 minutes (with a 20-minute interval)

With song titles like It Sucks To Be Me, If You Were Gay and Everyone’s A Little Bit Racist, this 3-time Tony Award winner is very much an adult take on Sesame Street with puppets.

  • Read on for reasons including how Avenue Q has lots of irreverent laughs and more fun-filled songs than you could shake a stick (puppet) at
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THEATRE REVIEW: John Proctor Is The Villain at the Royal Court Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN? Saturday 21 March, opens 26 March and runs through 25 April 2026 RUNTIME: 105 minutes (no interval)

‘Well those rumours, they have big teeth, hope they bite you. Thought you said that you would always be in love but you’re not in love no more,’ sings Lorde on Green Light as modern day female high school students lip synch to it in an attempt to make sense of the situation they’re in.

  • Read on for reasons including how this will spark many talking points without necessarily providing the theatrical heft to settle any of them
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THEATRE REVIEW: Operation Mincemeat new UK cast at the Fortune Theatre, London

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 31 May 2025, booking through 28 February 2026 RUNTIME: 130 minutes (including a 20-minute interval)

The Broadway production of this musical starring its original British cast is up for 4 Tonys on Sunday (9 June 2025) and to celebrate we made our 3rd visit to this show.

  • Read on for reasons including how we couldn’t recommend this new musical more highly
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THEATRE REVIEW: After The Act at the Royal Court Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN?: Saturday 24 May, runs through 14 June 2025 RUNTIME: 120 minutes (includes a 20 minute interval)

At 6pm on Monday 23 May 1988 4 lesbians protesting against Section 28 invaded a BBC studio as Sue Lawley and Nicholas Witchell started presenting the Six O’Clock News.

  • Read on for reasons including how we wouldn’t recommend this as a musical but politically it’s a diverting watch
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THEATRE REVIEW: Radiant Boy: A Haunting at Southwark Playhouse Borough (The Little) starring Stuart Thompson & Renee Lamb

By Neil Durham

WORTH A LOOK?: **** RUNTIME: 110 minutes (with interval)

WHEN?: Saturday 24 May (matinee), runs through 14 June 2025

Russell is a singing student with cropped bleached blond hair who returns to his north-east home in the 80s where his single mother calls the local priest to exorcise her son’s demons.

  • Read on for reasons including how this is truly shocking and 1 of the best new plays of the year
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