THEATRE REVIEW: Our Town starring Michael Sheen at Rose Theatre, Kingston

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN? Saturday 28 March (matinee) and runs through 28 March 2026 RUNTIME: 140 minutes (including a 20-minute interval)

‘No other play I’ve read or seen performed has ever affected me in quite the same way,’ writes star Michael Sheen (Nye, National Theatre) of this revival of a classic as the 1st production of the Welsh National Theatre.

  • Read on for reasons including how there’s a world where there is a West End transfer for this show
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THEATRE REVIEW: Choir Boy starring Terique Jarrett at Stratford East

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN? Saturday 28 March, opens 31 March and runs through 25 April 2026 RUNTIME: 140 minutes (including a 20-minute interval)

Author Tarell Alvin McCraney won the 2017 Oscar for Best Adapted Screenplay for Moonlight and like that film Choir Boy is the story of a young black man struggling with his sexuality.

  • Read on for reasons including how this is exactly the sort of work we’ve longed to see at this venue
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THEATRE REVIEW: Romeo and Juliet starring Sadie Sink at the Harold Pinter Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN? Friday 27 March, opens 31 March and runs through 20 June 2026 RUNTIME: 175 minutes (including a 20-minute interval)

Sink may have found worldwide fame with Netflix’s Stranger Things but the 23-year-old has been performing in theatre since 2011 including as the lead in Annie on Broadway and being nominated for a Tony as Best Actress last year for John Proctor Is The Villain which has just opened in London.

  • Read on for reasons including how Sadie Sink is a mesmerising heroine in this production which breathes new life into a classic
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THEATRE REVIEW: Rachel Zegler and Ben Platt in The Last Five Years at the London Palladium

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN? Tuesday 25 March and runs through 29 March 2026 RUNTIME: 90 minutes (no interval)

Zegler (EVITA, London Palladium) plays struggling actress Cathy in this 25th anniversary concert performance of a musical opposite Ben Platt’s Jamie who is becoming a successful author.

  • Read on for reasons including how Zegler and Platt give thrilling performances in this unusual concert staging
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THEATRE REVIEW: Avenue Q at Shaftesbury Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 21 March (matinee), opens 16 April and runs through August 29 2026 RUNTIME: 140 minutes (with a 20-minute interval)

With song titles like It Sucks To Be Me, If You Were Gay and Everyone’s A Little Bit Racist, this 3-time Tony Award winner is very much an adult take on Sesame Street with puppets.

  • Read on for reasons including how Avenue Q has lots of irreverent laughs and more fun-filled songs than you could shake a stick (puppet) at
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THEATRE REVIEW: John Proctor Is The Villain at the Royal Court Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN? Saturday 21 March, opens 26 March and runs through 25 April 2026 RUNTIME: 105 minutes (no interval)

‘Well those rumours, they have big teeth, hope they bite you. Thought you said that you would always be in love but you’re not in love no more,’ sings Lorde on Green Light as modern day female high school students lip synch to it in an attempt to make sense of the situation they’re in.

  • Read on for reasons including how this will spark many talking points without necessarily providing the theatrical heft to settle any of them
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THEATRE REVIEW: The Unlikely Pilgrimage of Harold Fry starring Mark Addy at Theatre Royal Haymarket

By Neil Durham

WORTH A LOOK?: ****

WHEN? Friday 30 January, opens 10 February and runs through 18 April 2026 RUNTIME: 150 minutes (including a 20-minute interval)

There’s a kindness and generosity of spirit about this new musical which reminds of the Olivier Award-winning The Curious Case Of Benjamin Button and a final reveal so devastating we spend much of the 2nd act shedding silent tears.

  • Read on for reasons including how this is a a feelgood musical with heartfelt songs that won’t fail to put a spring in your step
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PREVIEW: 9 reasons why we can’t wait for January 2026 starring The Unlikely Pilgrimage of Harold Fry

  1. The Unlikely Pilgrimage of Harold Fry

Passenger wrote the music and lyrics for this adaptation of the novel at Theatre Royal Haymarket starring The Full Monty‘s Mark Addy and Jenna Russell (Hello Dolly! London Palladium) running 29 January through 18 April 2026. It’s the story of a man who receives a letter from a long-lost friend and walks from Devon to Berwick-upon-Tweed. Tickets Our review

  • Read on for reasons including American Psycho, I’m Sorry Prime Minister and The History Of Sound
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THEATRE REVIEW: Woman In Mind starring Sheridan Smith & Romesh Ranganathan at Duke Of York’s Theatre

By Neil Durham

WORTH A LOOK? ***1/2

WHEN? Friday 12 December, opens 6 January and runs through 28 February 2026 and then to Sunderland Empire and Glasgow Theatre Royal RUNTIME: 150 minutes (including a 20-minute interval)

Patsy Cline’s Crazy and Jamiroquai‘s Virtual Insanity play immediately before curtain up to establish the mood as we enter the mind of Susan played by national treasure Sheridan Smith (Opening Night, Gielgud Theatre).

  • Read on for reasons including how Smith brings the warmth and humanity she is renowned for to some still topical material
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THEATRE REVIEW: Brigadoon starring Louis Gaunt at Regent’s Park Open Air Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN? Monday 4 August, opens 11 August and runs through 20 September 2025 RUNTIME: 135 minutes (with a 20-minute interval)

This outdoor setting is the perfect venue for this updated musical of 2 crashed World War Two airmen who stumble across a Scottish Highlands village seemingly suspended in time and not on any map.

  • Read on for reasons including how this is a thoughtful re-imagination of a classic which deserves to be seen in this glorious outdoor venue
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