THEATRE REVIEW: Kate Butch at Wilton’s Music Hall

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Thursday 9 April, runs through 17 May 2026 RUNTIME: 130 minutes (including a 20-minute interval)

‘Give me a shout if you’ve never heard of me before’, asks the RuPaul’s Drag Race UK vs The World runner up as part of the audience warm-up. ”Don’t they sound sad?’

  • Read on for reasons including how Butch is definitely our favourite and wittiest queen from Drag Race
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THEATRE REVIEW: Our Town starring Michael Sheen at Rose Theatre, Kingston

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN? Saturday 28 March (matinee) and runs through 28 March 2026 RUNTIME: 140 minutes (including a 20-minute interval)

‘No other play I’ve read or seen performed has ever affected me in quite the same way,’ writes star Michael Sheen (Nye, National Theatre) of this revival of a classic as the 1st production of the Welsh National Theatre.

  • Read on for reasons including how there’s a world where there is a West End transfer for this show
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THEATRE REVIEW: Choir Boy starring Terique Jarrett at Stratford East

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN? Saturday 28 March, opens 31 March and runs through 25 April 2026 RUNTIME: 140 minutes (including a 20-minute interval)

Author Tarell Alvin McCraney won the 2017 Oscar for Best Adapted Screenplay for Moonlight and like that film Choir Boy is the story of a young black man struggling with his sexuality.

  • Read on for reasons including how this is exactly the sort of work we’ve longed to see at this venue
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THEATRE REVIEW: Romeo and Juliet starring Sadie Sink at the Harold Pinter Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN? Friday 27 March, opens 31 March and runs through 20 June 2026 RUNTIME: 175 minutes (including a 20-minute interval)

Sink may have found worldwide fame with Netflix’s Stranger Things but the 23-year-old has been performing in theatre since 2011 including as the lead in Annie on Broadway and being nominated for a Tony as Best Actress last year for John Proctor Is The Villain which has just opened in London.

  • Read on for reasons including how Sadie Sink is a mesmerising heroine in this production which breathes new life into a classic
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THEATRE REVIEW: Rachel Zegler and Ben Platt in The Last Five Years at the London Palladium

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN? Tuesday 25 March and runs through 29 March 2026 RUNTIME: 90 minutes (no interval)

Zegler (EVITA, London Palladium) plays struggling actress Cathy in this 25th anniversary concert performance of a musical opposite Ben Platt’s Jamie who is becoming a successful author.

  • Read on for reasons including how Zegler and Platt give thrilling performances in this unusual concert staging
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THEATRE REVIEW: Avenue Q at Shaftesbury Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 21 March (matinee), opens 16 April and runs through August 29 2026 RUNTIME: 140 minutes (with a 20-minute interval)

With song titles like It Sucks To Be Me, If You Were Gay and Everyone’s A Little Bit Racist, this 3-time Tony Award winner is very much an adult take on Sesame Street with puppets.

  • Read on for reasons including how Avenue Q has lots of irreverent laughs and more fun-filled songs than you could shake a stick (puppet) at
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THEATRE REVIEW: Kinky Boots starring Johannes Radebe and Matt Cardle at the London Coliseum

By Neil Durham

WORTH A LOOK?: ****

WHEN? Thursday 19 March, opens 29 March and runs through 11 July 2026 RUNTIME: 140 minutes (including a 20-minute interval)

Condragtulations to Strictly professional dancer Radebe who makes the transition to West End leading man with perfect poise and in fine voice.

  • Read on for reasons including how this is Radebe’s musical theatre debut and he’s the perfect fit for this show
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THEATRE REVIEW: A Mirrored Monet: The Musical starring Dean John-Wilson at Charing Cross Theatre

By Aline Mahrud

WORTH A LOOK?: ***

WHEN? Tuesday 17 March, opens 24 March and runs through 9 May 2026 RUNTIME: 140 minutes (including 20-minute interval)

The best thing about this musical of the life of French painter and founder of the Impressionists Monet is when his wife contemplates their relationship in 11pm number There Are No Stars.

  • Read on for reasons including whether Monet’s story benefitted from musical form and why the songs weren’t better
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THEATRE REVIEW: Kenrex starring Jack Holden at The Other Palace

By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 31 January 2026, runs through 1 February 2026 Transfers off Broadway 15 April through 27 June 2026 (Ticket link below) RUNTIME: 125 minutes (including a 20-minute interval)

It’s the extraordinary performance by Jack Holden (Cruise) playing multiple roles which is the best reason to see this true crime retelling of the death of town bully Ken McElroy in Skidmore, Missouri in 1981.

  • Read on for reasons including how it will be fascinating to see what the US makes of this British take on a difficult story from its past
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THEATRE REVIEW: American Psycho starring Arty Froushan & Daniel Bravo at the Almeida Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN? Saturday 24 January, opens 30 January and runs through 14 March 2026 RUNTIME: 165 minutes (including a 20 minute interval)

Bret Easton Ellis’ cult 1991 yuppie serial killer novel American Psycho turned 2000 film starring Christian Bale never really screamed to become a musical.

  • Read on for reasons including how this is an uncomfortable watch we were repelled by that just reminded us about quite how dark 2026 has become
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