PREVIEW: 9 reasons why we can’t wait for October 2026 starring Keira Knightley & Luke Thompson

  1. Keira Knightley in The Lives Of Others

Knightley performs in the West End for the 1st time since 2011 opposite Bridgerton‘s Luke Thompson (A Little Life, Harold Pinter Theatre) in this story of a writer and actor under surveillance in 1984 at the Adelphi Theatre. Written, adapted and directed by Robert Icke (Romeo and Juliet, Harold Pinter Theatre) Runs 14 October through 9 January 2027. Tickets

  • Read on for reasons including Kristin Scott Thomas, Tilda Swinton and Michelle Dockery in the new Ava Pickett
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AWARDS SHORTLIST: MONSTAS: Best Revival of 2024

It’s been quite the year, it’s almost Christmas and what would the festive season be without some recognition of the best of 2024? Over the next month we’ll shortlist five nominees in each of 17 categories for our 10th annual Oscars, or monstas if you will, of 2024.

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AWARDS SHORTLIST: MONSTAS: Best Theatre Supporting Actor of 2024

It’s been quite the year, it’s almost Christmas and what would the festive season be without some recognition of the best of 2024? Over the next month we’ll shortlist five nominees in each of 17 categories for our 10th annual Oscars, or monstas if you will, of 2024.

  • Read on for the nominees for the monsta for the Best Theatre Supporting Actor of 2024 Previous winner 2023: Katy Secombe (Guys And Dolls, Bridge Thetare)
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AWARDS LONGLIST: MONSTAS: Best Theatre, Music, TV, Film & Podcasts of 2024 so far (part 1 of 2)

You, dear reader, are given the chance to vote in 17 categories from October this year to tell us your favourite theatre, music, TV, film and podcast of 2024.

  • Read on for reasons including 9 of 17 categories of our Best Theatre, Music, TV, Film and Podcasts of 2024 so far
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THEATRE REVIEW: The Cherry Orchard starring Adeel Akhtar & Nina Hoss at the Donmar

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 15 July (matinee), runs through 22 June 2024 RUNTIME: 165 minutes (including a 20-minute interval)

We’re in the front row and at the start of Act 2 a character asks the audience member on our left to get up on stage and dance with them.

  • Read on for reasons including how this striking adaptation is a triumph of gig theatre
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