WORTH A LOOK?: ***
WHERE?: Southwark Playhouse
WHEN?: 26/9 (matinee) closes 26/9/20
Hadley Fraser and Rosalie Craig are a real-life husband and wife and their easy chemistry is the best thing about this story of a relationship told both before and after a life-changing event.
WORTH A LOOK?: ***
WHERE: St James Theatre
WHEN: 31/10, runs to 26/11
The Last Five Years is a triumph of structure over content.
WORTH A LOOK?: *****
WHERE: Prince Edward Theatre
WHEN: 6/6, press night 15/6 booking to 11/2/17
Summer’s biggest blockbuster shows are arguably this very panto remake of the 1992 Disney musical and Harry Potter and The Cursed Child which open within days and a stone’s throw of each other in London’s West End.
WORTH A LOOK?: ****
WHERE: St James Theatre
WHEN: 12/3, press night 14/3, runs to 9/4
Bovvered? We had no idea Catherine Tate could sing and in this world premiere of a new musical her voice is as fine as she is funny.
We’ve never seen Adele live. We’re going to Glasto and are still hoping she’s headlining Saturday. Her 22-date UK tour begins in Belfast 29/2 and we’ll be reporting from her eight-night run at The 02 in March. Picture via Facebook courtesy Adele.
Leslie Bricusse is an 84-year-old British composer, lyricist and playwright with a songbook bursting with tunes that you’ll remember predominantly from musicals or films but not necessarily know he penned. Running at the St James Theatre until 17/10 (we saw the 30/9 matinee), this show features a cast of five singing some of his best-loved songs as characters in a series of scenes without a great deal of dialogue but some storyline. There’s much emotion on show and Goldfinger could be incongruous but is played for laughs in a segment paying tribute to this and his other Bond work. Writing’s On The Wall? Nowhere close.
