THEATRE REVIEW: Juno and the Paycock starring Mark Rylance at the Gielgud Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Tuesday 1 October, runs through 23 November 2024 RUNTIME: 150 minutes (including a 20-minute interval)

Rylance is the titular peacock – pronounced ‘paycock’ in an Irish accent – who plays workshy father-of-2 ‘Captain’ Jack Boyle, a man never short of tall tales of adventure.

  • Read on for reasons including how this is the funniest comedy in London’s West End right now with a very memorable central performance
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THEATRE REVIEW: An Enemy Of The People starring Matt Smith at Duke Of York’s Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 10 February, opens 20 February and runs through 6 April 2024

We’re in the 5th row and start to get a little nervous as ushers ask those in the front 3 at the interval whether they’d like to wear disposable waterproofs for the 2nd half as paintballs will be thrown at the stage.

  • Read on for reasons including why Smith is absolutely on fire and this is theatre at its most raw, inspiring and real.
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THEATRE REVIEW: Othello starring Giles Terera at the National Theatre

By Aline Mahrud

WORTH A LOOK?: *** RUNTIME: 180 minutes (including 20-minute interval)

WHEN?: Saturday 3 December (matinee), runs to 21 January 2023

Director Clint Dyer told the New York Times of his 1st visit to this venue in the 80s when he saw a picture in the auditorium of Laurence Olivier in blackface in the title role of this play in the 60s that broke his heart.

  • Read on for reasons including why we wanted this production of Othello to be so much better than it was
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THEATRE REVIEW: The Glass Menagerie starring Amy Adams at Duke Of York’s Theatre

By Aline Mahrud

WORTH A LOOK?: ***

WHEN?: Saturday 28 May 2022, opens 31 May and runs to 27 August 2022 RUNTIME: 145 minutes (including 20-minute interval)

We’re in a lengthy queue for the toilets at this venue in the interval when we overhear someone asking: ‘Do you think Amy Adams is hoarse?’

  • Read on for reasons including how both Paul Hilton and Tom Glynn-Carney shine here
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