AWARDS SHORTLIST: MONSTAS: Best Theatre Actor of 2023

It’s been quite the year, it’s almost Christmas and what would the festive season be without some recognition of the best of 2023? Over the next month we’ll shortlist five nominees in each of 16 categories for our Oscars, or monstas if you will, of 2023.

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AWARDS LONGLIST: MONSTAS: Best Theatre, Music, TV, Film and Podcasts of 2023 so far (part 1 of 2)

You, dear reader, are given the chance to vote in 16 categories from November this year to tell us your favourite theatre, music, TV, film and podcast of 2023.

  • Read on for reasons including 8 of 16 categories of our Best Theatre, Music, TV, Film and Podcasts of 2023 so far
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THEATRE REVIEW: The Motive And The Cue starring Johnny Flynn, Mark Gatiss & Tuppence Middleton at the National Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Saturday 22 April, opens 2 May running to 15 July 2023 RUNTIME: 160 minutes (including a 20-minute interval) UPDATE: This productions transfers to the West End 9 December 2023 through 23 March 2024 at the Noel Coward Theatre Tickets

Mark Gatiss (ITVX’s Nolly) is 1 of our finest character actors and here plays Sir John Gielgud directing Richard Burton in Hamlet in 1964 on Broadway.

  • Read on for reasons including how The Motive should be more confident of its worth and rely less heavily on Shakespeare’s greatest hits
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THEATRE REVIEW: True West starring Kit Harington & Johnny Flynn

WORTH A LOOK?: ****

WHERE? Vaudeville Theatre RUN TIME: 2 hours (including interval)

WHEN?: 24/11, press night 3/12, runs to 23/2/19

Game of Thrones star Kit Harington last appeared on a West End stage two-and-a-half years ago and we wrote then how a very young audience whooped with delight at his performance.

  • Read on for reasons including why it is Johnny Flynn who you will remember most after this

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THEATRE REVIEW: Hangmen

WORTH A LOOK?: ***1/2

WHERE: Wyndham’s Theatre

WHEN: 15/12, runs to 5/3/16

What did hangmen do after the abolition of capital punishment in England in 1964? That’s the brilliant idea at the heart of Martin McDonagh’s new play although its, ahem, execution could be more compelling.

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