THEATRE REVIEW: Bette & Joan starring Greta Scacchi & Felicity Dean

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Thursday 5 December 2024, runs through 11 January 2025 RUNTIME: 135 minutes (including a 20-minute interval)

Heat and Dust, White Mischief, Presumed Innocent and The Player … if you’re wondering whatever happened to Greta Scacchi, the actress who appeared in those films, read on.

  • Read on for reasons including how this is serious subject matter given a delightfully funny airing thanks to a formidable duo
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THEATRE REVIEW: The Producers starring Andy Nyman & Marc Antolin at Menier Chocolate Factory

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 30 November 2024 (matinee), opens 9 December and runs through 1 March 2025 RUNTIME: 170 minutes (including interval) Update: Transfers to the Garrick 30 August 2025 through 21 February 2026 Tickets

Our companion whispers: ‘This is brilliant!’ in our ear at the end of 2nd song The King Of Old Broadway as Andy Nyman (film Wicked (Part 1) as down-on-his-luck producer Max Bialystock makes us forget we saw Nathan Lane (Angels In America, National Theatre) in the role in London’s West End.

  • Read on for reasons including how this was the funniest show our companion had seen for at least 10 years
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THEATRE REVIEW: Here And Now starring Rebecca Lock, Sharlene Hector & Blake Patrick Anderson at Alexandra Theatre, Birmingham

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Sunday 24 November (matinee) and runs through 30 November 2024 Tours UK and Ireland in 2025 and 2026 Tickets RUNTIME: 155 minutes (including a 20-minute interval)

A Steps musical needs a vocalist with the power of the band’s Claire Richards and, luckily for Here And Now, it has 3.

  • Read on for reasons including how this is moving, a lot of fun and a knowing budget Mamma Mia
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THEATRE REVIEW: The Importance Of Being Earnest starring Ncuti Gatwa at National Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Friday 22 November 2024, opens 28 November and runs through 25 January 2025 RUNTIME: 165 minutes (including a 20-minute interval)

Oscar Wilde described this – his final and best loved play – as ‘exquisitely trivial’ and this production is exquisitely cast, perfectly judged and executed with both swagger and flamboyance.

  • Read on for reasons including how this is currently London’s funniest comedy
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THEATRE REVIEW: Priscilla, Reina del Desierto at Teatro Tivoli, Barcelona starring Sharonne

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN?: Sunday 10 November and runs through 4 January 2025 RUNTIME: 150 minutes (with 20-minute interval)

We last saw Jason Donovan (Joseph, Palladium) in 2009 in the West End production of this 1994 Oscar-winning musical and here Drag Race Espana winner Sharonne (Benidorm Fest 2023) takes the lead.

  • Read on for reasons including why we we join the standing ovation at this absolutely joyous show’s close
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THEATRE REVIEW: The Devil Wears Prada: A New Musical starring Vanessa Williams & Matt Henry at Dominion Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Tuesday 5 November 2024 and booking through 31 May 2025 RUNTIME: 150 minutes (includes a 20-minute interval)

This musical of a beloved 2006 film with a star turn by Meryl Streep goes down a storm at this cavernous venue particularly whenever Williams (City Of Angels, Garrick Theatre) as fashion editor Miranda Priestly emerges striking a pose through the stage’s trapdoor.

  • Read on for reasons including how you will be as absolutely swept up and bowled over by this as we were
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THEATRE REVIEW: Fly More Than You Fall starring Keala Settle at Southwark Playhouse (Elephant)

By Neil Durham

WORTH A LOOK?: ***

WHEN?: Saturday 2 November (matinee), runs through 23 November 2024 RUNTIME: 130 minutes (including a 20-minute interval)

Settle (& Juliet, Shaftesbury Theatre) plays Miss Coddle, a new character created for the film Wicked released later this month and she’s by some distance the best reason to catch this new musical at this 300-seater venue.

  • Read on for reasons including how this is worth seeing for Settle but manages to be both big-hearted and yet heavy-handed
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THEATRE REVIEW: Brace Brace starring Phil Dunster & Anjana Vasan at the Royal Court

By Neil Durham

WORTH A LOOK?: ***

WHEN?: Saturday 2 November and runs through 9 November 2024 RUNTIME: 70 minutes (without interval)

Dunster (pictured right above) is arguably best known for playing Mancunian striker with a heart Jamie Tartt in Apple’s brilliant comedy Ted Lasso and here shows his versatility as an unsympathetic newlywed who freezes during a plane hijack.

  • Read on for reasons including how this is worth a look for its strong cast bringing more to an implausible script than it merits
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THEATRE REVIEW: A Face In The Crowd starring Ramin Karimloo & Anoushka Lucas at the Young Vic

By Neil Durham

WORTH A LOOK?: ***

WHEN?: Saturday 26 October 2024 (matinee), runs through 9 November 2024 RUNTIME: 155 minutes (including a 20-minute interval)

The best bit in this Elvis Costello musical based on a 1957 US film is when leading man Ramin Karimloo (Murder Ballad, Arts Theatre) leaps into the audience in a political rally as charismatic man of the people Lonesome Rhodes during song Blood and Hot Sauce.

  • Read on for reasons including how it was baffling this could promise so much and yet deliver so little
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THEATRE REVIEW: The Buddha Of Suburbia starring Dee Ahluwalia at the Barbican

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 26 October 2024, running through 16 November 2024 RUNTIME: 170 minutes (including a 20-minute interval)

Ahluwalia gives a truly rock star performance as 17-year-old Karim growing up in south London’s suburbs in 1976 and lusting after a male classmate.

  • Read on for reasons including how this is a a brilliantly fun night out with a compelling story of injustice at its heart
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