THEATRE REVIEW

THEATRE REVIEW: Elektra starring Brie Larson & Stockard Channing at the Duke Of York’s Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ***

WHEN?: Saturday 24 January, opening 5 February and running through 12 April 2025 RUNTIME: 95 minutes without interval

Elektra is angry and we know this because she sports a buzz cut, wears a Bikini Kill T-shirt and shouts into a variety of onstage microphones, some with distortion pedals, unavailable to the rest of the cast like a slam poet goes full Sinead O’Connor on Saturday Night Live.

  • Read on for reasons including how Larson’s performance is wholehearted, brave and uncompromising
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THEATRE REVIEW: Oedipus starring Rami Malek, Indira Varma & Cecilia Noble at the Old Vic

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN?: Friday 25 January 2025, opening 4 February and running through 29 March 2025 RUNTIME: 105 minutes (no interval)

There’s so much to rave about in this razor-sharp adaptation of this Greek tragedy containing a 1st stage performance in 18 years by Oscar winner Rami Malek (film Bohemian Rhapsody) but it’s too often left flatfooted by pointless techno dance breaks.

  • Read on for reasons including how from our row 5 seat we can see Malek’s eyes sparkle in the lights as they glaze with tears
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THEATRE REVIEW: Inside No 9 Stage/Fright starring Steve Pemberton & Reece Shearsmith at Wyndham’s Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Saturday 18 January 2025, running through 5 April 2025 RUNTIME: 140 minutes (including a 20-minute interval) Update: UK tour runs 9 September through 29 November 2025 Tickets

Steve Pemberton (The Pillowman, Duke Of York’s Theatre) and Reece Shearsmith (The Unfriend, Criterion Theatre) are established West End performers and the theatre incarnation of their award-winning anthology TV show Inside No 9 is an elegant full stop to it.

  • Read on for reasons including how this is what Pet Shop Boys and Morecambe and Wise would do
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THEATRE REVIEW: El Dia De La Marmota (Groundhog Day in Catalan) at Teatre Coliseum, Barcelona

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Friday 10 January, running through 22 March 2025 RUNTIME: 150 minutes (including a 20-minute interval)

We’ve been regularly visiting Barcelona for the last 25 years and only ever seen the musicals we love in Spanish, English or a mixture and so this is our 1st in the native Catalan.

  • Read on for reasons including how this joyous production stays true to the life-affirming charms of the London original
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THEATRE REVIEW: The Lightning Thief starring Max Harwood & Joaquin Pedro Valdes at the Other Palace

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ***

WHEN?: Sunday 5 January 2025, runs through 31 August 2025 RUNTIME: 125 minutes (including 20-minute interval)

The best thing about this coming-of-age story riffing on Greek mythology is the way it encourages difference to be viewed as a superpower.

  • Read on for reasons including how this musical is a triumph of world building rather let down by its songs
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THEATRE REVIEW: The Curious Case Of Benjamin Button at the Ambassadors Theatre

Posted on by mrmonstagigz

By Aline Mahrud

WORTH A LOOK?: ****

WHEN?: Friday 3 January, runs through 15 March 2025 Update: Extended through 31 May 2025 RUNTIME: 150 minutes (including a 20-minute interval)

Relocating F Scott Fitzgerald’s short story of a baby born as an elderly man and living his life backwards – best known as a 2008 film starring Brad Pitt – to the North Cornwall coast brings a community feel reminiscent of fellow musical Come From Away to this warm hug of a show.

  • Read on for reasons including how this is a heartwarming little gem of a show well worth seeking out if you can
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THEATRE REVIEW: Cat On A Hot Tin Roof starring Daisy Edgar Jones at the Almeida Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN?: Friday 27 December 2024, runs through 1 February 2025 RUNTIME: 180 minutes (including 2 intervals)

There’s a ghost at the piano in Rebecca Frecknall’s (A Streetcar Named Desire, Almeida) take on Tennessee Williams’ favourite of all his acclaimed plays who may be Skipper, whose love dared speak its name to ageing football jock Brick, but was rebuffed.

  • Read on for reasons including how Frecknall’s treatment of the material emphasises Maggie’s agency and, stylistically, it’s an absolute triumph
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THEATRE REVIEW: The Merchant Of Venice 1936 starring Tracy-Ann Oberman at Trafalgar Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN?: Sunday 29 December 2024, runs through 25 January 2025 and then tours the UK (details below) RUNTIME: 120 minutes with a 20-minute interval

This production began as a conversation in 2018 when Oberman told director Brigid Larmour she wanted to play Shylock as an East End matriarch in the 1930s, inspired by her great grandmother.

  • Read on for reasons including where and how to see this production on its tour after this memorable run
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THEATRE REVIEW: The Tempest starring Sigourney Weaver, Mason Alexander Park & Mathew Horne at Theatre Royal Drury Lane

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN?: Monday 9 December 2024, opens 17 December and runs through 1 February 2025 RUNTIME: 135 minutes (including a 20-minute interval)

We’ve certainly had the recent windy weather to fully appreciate the timing of this much looked-forward-to production starring Storm Sigourney.

  • Read on for reasons including how it’s only really when Weaver gets to her feet that this production has wind in its sails
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THEATRE REVIEW: Robin Hood starring Jane McDonald, Julian Clary, Marisha Wallace & Charlie Stemp at the London Palladium

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Sunday 8 December 2024, runs through 12 January 2025 RUNTIME: 150 minutes (with a 20-minute interval)

What would Morecambe and Wise do?

  • Read on for reasons including how this is the funniest, most heartfelt, joyous and dazzling the Palladium pantomime has ever been
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