THEATRE REVIEW: Bonnie & Clyde starring Frances Mayli McCann & Jordan Luke Gage at Arts Theatre

By Aline Mahrud

WORTH A LOOK?: ****

WHEN?: Sunday 24 April (matinee), booking to 10 July 2022 RUNTIME: 150 minutes (including 1 20-minute interval)

Duet You Love Who You Love between the titular Bonnie and her would-be sister-in-law Blanche is an absolute showstopper as the pair ruminate on their love for Barrow brothers Clyde and Buck.

  • Read on for reasons including why this isn’t quite London’s ‘most wanted’ musical
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THEATRE REVIEW: Oklahoma! starring Anoushka Lucas, Arthur Darvill, Marisha Wallace & Liza Sadovy at the Young Vic

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Saturday 30 April, booking to 25 June 2022 RUNTIME: 170 minutes (including 1 20-minute interval)

We’re sat onstage behind a trestle table on which sits a six-pack of Bud Light and a cooking pot of chilli as male lead Curly McLain, played by Arthur Darvill, arrives playing guitar and singing Oh What A Beautiful Mornin’ and sits opposite us.

  • Read on for reasons including how the source material has been tweaked to make the story more unsettling
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THEATRE REVIEW: Cabaret starring Fra Fee, Amy Lennox & Omar Baroud at The Kit Kat Club

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Monday 18 April, booking to 1 October 2022

RUNTIME: 165 minutes (including a 20-minute interval)

7 Oliviers, 3 monstas and 5 months after we 1st saw this production we return for a major cast change which sees 4 of its 5 leads depart.

  • Read on for reasons including why this remains a 5* show even with the loss of its Oscar-winning star
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THEATRE REVIEW: Prima Facie starring Jodie Comer at the Harold Pinter Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 16 April, opens 27 April and runs to 18 June 2022

RUNTIME: 100 minutes (no interval)

Defence barrister Tessa Ensler revels in the certainty of the law – defendants are either convicted or acquitted, everything is either black or white, right or wrong.

  • Read on for reasons including why Comer’s West End debut makes for such a thrilling eve
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THEATRE REVIEW: Scandaltown starring Rachael Stirling by Mike Bartlett at Lyric Theatre, Hammersmith

By Aline Mahrud

WORTH A LOOK?: ****1/2

WHEN? Saturday 10 April, opens 14 April, booking to 14 May 2022 RUNTIME? 150 minutes (including 20-minute interval)

2 years ago 1 of the 1st comedies we had tickets for that was Covid-cancelled was a revival of Mike Bartlett’s Love, Love, Love starring Rachael Stirling at this very venue.

  • Read on for reasons including how Matthew Broome making his stage debut is a name to watch for
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THEATRE REVIEW: But I’m A Cheerleader The Musical starring Alice Croft, Evie Rose Lane & Jodie Steele at Turbine Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN? matinee Sunday 3 April, runs to 8 May 2022

RUNTIME: 160 minutes (including a 20-minute interval)

Conversion therapy is headline news in the UK and there seems no more apt time for this new musical based on a beloved 1999 cult film starring RuPaul and Michelle Williams to be taking its bow.

  • Read on for reasons including why the story and talented cast are the best reasons to see this new musical
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THEATRE REVIEW: & Juliet starring Keala Settle at the Shaftesbury Theatre

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN? matinee Saturday 2 April, booking until 24 September 2022 RUNTIME: 150 minutes (including 20-minute interval)

Settle (pictued above right with Miriam-Teak Lee) sang the Oscar-nominated and Golden Globe-winning This Is Me in Pasek and Paul‘s film The Greatest Showman and here makes her West End debut memorably.

  • Read on for reasons including why Settle’s casting is the F**kin’ Perfect reason to see this show
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THEATRE REVIEW: The 47th starring Bertie Carvel at the Old Vic

By Aline Mahrud

WORTH A LOOK?: ***

WHEN?: Saturday 2 April, opens 9 April, booking to Saturday 28 May 2022

RUNTIME: 157 minutes (including 15-minute interval)

‘Chameleon’ is the word best used to describe actor Bertie Carvel, the winner of 2 Oliviers and a Tony for roles including Rupert Murdoch in Ink.

  • Read on for reasons including how The 47th shares its Shakespearean style with King Charles III
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THEATRE REVIEW: Maria Friedman and Friends: Legacy at Menier Chocolate Factory

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Sunday 20 March 2022, booking to 17 April 2022

RUNTIME: 150 minutes (including 20-minute Interval)

There’s a lovely moment towards the end of this celebration of songwriters Stephen Sondheim, Marvin Hamlisch and Michel Legrand when its star Friedman, who worked with them all, encourages the audience to sing with the cast.

  • Read on for reasons including how this is a heartfelt, joyous and celebratory warm hug of a show
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THEATRE REVIEW: The Human Voice starring Ruth Wilson at the Harold Pinter Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Saturday 20 March (matinee), runs to 9 April 2022 RUNTIME: 70 minutes without interval

Wilson is on the phone and onstage in a rectangular box behind see-through glass in her 1st West End role since her Hedda Gabler at the National was Olivier Award-nominated in 2017.

  • Read on for reasons including how there are only 31 performances in this short run
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