THEATRE REVIEW

THEATRE REVIEW: Broken Glass directed by Jordan Fein and starring Eli Gelb, Pearl Chanda, Alex Waldmann, Nancy Carroll & Juliet Cowan at the Young Vic

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN?: Saturday 21 February, opens 3 March and runs through 18 April 2026 RUNTIME: 120 minutes without interval

This venue has a strong recent record of reviving Arthur Miller plays including A View From The Bridge and Death Of A Salesman and this lesser known work deserves to be considered in the same sentence as those.

  • Read on for reasons including how there are no multi cameras or technological trickery needed when the cast is this strong and material so pertinent
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THEATRE REVIEW: Evening All Afternoon starring Anastasia Hille at the Donmar

Posted on by mrmonstagigz

By Aline Mahrud

WORTH A LOOK?: ***1/2

WHEN?: Friday 20 February, opens 24 February and runs through 11 April 2026 RUNTIME: 85 minutes (no interval)

Anastasia Hille (A Midsummer Night’s Dream, Young Vic) plays Jennifer, a woman marrying late and nervous about how she is perceived by her soon-to-be stepdaughter.

  • Read on for reasons including how meditating on grief, acceptance, unexpected love and finding contentment where you never dared look are themes that feel universal
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THEATRE REVIEW: Dracula starring Cynthia Erivo at the Noel Coward Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Monday 9 February, opens 17 February and runs through 30 May 2026 RUNTIME: 130 minutes (no interval)

Erivo (film Wicked) delivers an extraordinarily committed performance in this 20,000-word monologue of a 1-woman Dracula.

  • Read on for reasons including how this is an impressive spectacle of her acting ability that will divide theatre purists who prefer fewer cameras on our stages
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THEATRE REVIEW: Deep Azure by Chadwick Boseman at Sam Wanamaker Playhouse

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN?: Saturday 7 February, opens 17 February and runs through 11 April 2026 RUNTIME: 195 minutes (including a 20-minute interval)

Respect is due to Black Panther star and Oscar-nominated actor Chadwick Boseman who also wrote this play about US police brutality in 2005 years before his film career took off.

  • Read on for reasons including how this timely material and hip hop template makes for a bold, entertaining and hugely thought provoking evening
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THEATRE REVIEW: Kenrex starring Jack Holden at The Other Palace

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN? Saturday 31 January 2026, runs through 1 February 2026 Transfers off Broadway 15 April through 27 June 2026 (Ticket link below) RUNTIME: 125 minutes (including a 20-minute interval)

It’s the extraordinary performance by Jack Holden (Cruise) playing multiple roles which is the best reason to see this true crime retelling of the death of town bully Ken McElroy in Skidmore, Missouri in 1981.

  • Read on for reasons including how it will be fascinating to see what the US makes of this British take on a difficult story from its past
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THEATRE REVIEW: I’m Sorry, Prime Minister starring Griff Rhys Jones at Apollo Theatre

Posted on by mrmonstagigz

By Aline Mahrud

WORTH A LOOK?: ***

WHEN?: Saturday 31 January (matinee), opens 12 February and runs through 9 May 2026

Yes, Minister and its sequel Yes, Prime Minister was a BBC political satirical comedy starring Paul Eddington and Nigel Hawthorne lifting the lid on the relationship between politicians and Government that was hugely popular in the 80s.

  • Read on for reasons including how the attempt to do something interesting creatively feels like a missed opportunity
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THEATRE REVIEW: The Unlikely Pilgrimage of Harold Fry starring Mark Addy at Theatre Royal Haymarket

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ****

WHEN? Friday 30 January, opens 10 February and runs through 18 April 2026 RUNTIME: 150 minutes (including a 20-minute interval)

There’s a kindness and generosity of spirit about this new musical which reminds of the Olivier Award-winning The Curious Case Of Benjamin Button and a final reveal so devastating we spend much of the 2nd act shedding silent tears.

  • Read on for reasons including how this is a a feelgood musical with heartfelt songs that won’t fail to put a spring in your step
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THEATRE REVIEW: Arcadia by Tom Stoppard at the Old Vic

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By Neil Durham

WORTH A LOOK?: ****

WHEN? Monday 26 January, opens 4 February and runs through 21 March 2026 RUNTIME: 170 minutes (including a 20-minute interval)

Tom Stoppard died in November and 1993’s Arcadia is considered to be his masterpiece which makes this undercast revival all the more curious.

  • Read on for reasons including how it seems a missed opportunity that this 2nd revival of his classic is so understated
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THEATRE REVIEW: American Psycho starring Arty Froushan & Daniel Bravo at the Almeida Theatre

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: ***

WHEN? Saturday 24 January, opens 30 January and runs through 14 March 2026 RUNTIME: 165 minutes (including a 20 minute interval)

Bret Easton Ellis’ cult 1991 yuppie serial killer novel American Psycho turned 2000 film starring Christian Bale never really screamed to become a musical.

  • Read on for reasons including how this is an uncomfortable watch we were repelled by that just reminded us about quite how dark 2026 has become
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THEATRE REVIEW: Guess How Much I Love You? starring Rosie Sheehy & Robert Aramayo at the Royal Court

Posted on by mrmonstagigz

By Neil Durham

WORTH A LOOK?: *****

WHEN? Saturday 17 January, opens 22 January and runs through 21 February 2026 RUNTIME: 100 minutes (without interval)

A pregnant couple make small talk and play guessing games as they await the result of their 20-week scan.

  • Read on for reasons including how this is the 1st great new play of 2026 so far
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