THEATRE REVIEW: Punch at the Young Vic starring David Shields & Julie Hesmondhalgh

By Neil Durham

WORTH A LOOK?: *****

WHEN? Saturday 1 March 2025, runs through 26 April 2025 RUNTIME: 145 minutes (including a 20-minute interval) Update: Transfers to the Apollo Theatre 22 September through 29 November 2025 Tickets

In 2011 Jacob Dunne fatally punched a man in an unprovoked attack and received a two-and-a-half-year custodial sentence for manslaughter of which he served 14 months. 

  • Read on for reasons including how this is the best new play of the year so far
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THEATRE REVIEW: The Seagull starring Cate Blanchett, Emma Corrin & Tanya Reynolds at the Barbican Centre

By Neil Durham

WORTH A LOOK?: ****1/2

WHEN? Friday 28 February 2025, runs through 5 April 2025 RUNTIME: 180 minutes (including a 20-minute interval)

Zachary Hart (The Constituent, Old Vic) plays the besotted Simon Medvedenko, arrives onstage on a quad bike with a guitar and performs Billy Bragg‘s The Milkman Of Human Kindness and we’re already in floods of tears because, like Chekhov’s gun, we know what’s to come.

  • Read on for reasons including how Blanchett’s Arkadina is extraordinarily monstrous without unbalancing this production
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THEATRE REVIEW: Alterations starring Arinze Kene at the National Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN? Friday 20 February, opens 27 February and runs through 5 April 2025 RUNTIME: 120 minutes (no interval)

Kene (2018’s Best Theatre Actor monsta winner for Misty, Bush Theatre) plays tailor Walker in 70s London with designs on a Carnaby Street business who is part of the Windrush generation negotiating aspiration with loss of community.

  • Read on for reasons including how Alterations is laugh-out-loud funny but also illuminating about difference, ambition and sacrifice
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THEATRE REVIEW: Richard II starring Jonathan Bailey at Bridge Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Monday 10 February, opens 18 February and runs through 10 May 2025 RUNTIME: 160 minutes (with a 20-minute interval)

Bailey is perhaps best known as Fiyero in film Wicked, nominated for 10 Oscars on 2 March, although we have previously reviewed him in Shakespeare (King Lear, Chichester Festival Theatre) but never as the leading man.

  • Read on for reasons including the parallels between Fiyero and Richard II and how this accessible production could be your gateway to Shakespeare
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THEATRE REVIEW: Lavender, Hyacinth, Violet and Yew starring Omari Douglas at Bush Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Saturday 8 February, opens 13 February and runs through 22 March 2025 RUNTIME: 165 minutes (including a 20-minute interval)

Bush Emerging Writers’ Group alumni Coral Wylie (pictured above right) writes and stars as 19-year-old Pip who identifies as non-binary, has dropped out of education and feels misunderstood by their parents.

  • Read on for reasons including how there’s a big heart at the root of the show that deserves nourishing
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THEATRE REVIEW: Unicorn starring Nicola Walker, Stephen Mangan & Erin Doherty at the Garrick Theatre

By Neil Durham

WORTH A LOOK?: *****

WHEN?: Saturday 8 February (matinee), opens 13 February and runs through 26 April 2025 RUNTIME: 140 minutes (with a 20-minute interval)

We’re at dinner with friends the night before we see this and they mention they caught it on its 1st preview.

  • Read on for reasons including why this is hugely funny and the best new play of the year so far
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THEATRE REVIEW: Second Best starring Asa Butterfield at Riverside Studios, Hammersmith

By Neil Durham

WORTH A LOOK?: **** RUNTIME: 90 minutes (without interval)

WHEN?: Saturday 1 February (matinee), runs through 22 February 2025 Update: now extended through 1 March 2025

It’s not difficult to imagine what might have attracted former child star Asa Butterfield, now best known for Netflix’s Sex Education, to make his stage debut in this tale of the actor who was second choice to Daniel Radcliffe (Endgame, Old Vic) to play Harry Potter (Harry Potter And The Cursed Child, Palace Theatre).

  • Read on for reasons including how this is a story that is both hugely relatable and dramatically satisfying
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THEATRE REVIEW: Elektra starring Brie Larson & Stockard Channing at the Duke Of York’s Theatre

By Neil Durham

WORTH A LOOK?: ***

WHEN?: Saturday 24 January, opening 5 February and running through 12 April 2025 RUNTIME: 95 minutes without interval

Elektra is angry and we know this because she sports a buzz cut, wears a Bikini Kill T-shirt and shouts into a variety of onstage microphones, some with distortion pedals, unavailable to the rest of the cast like a slam poet goes full Sinead O’Connor on Saturday Night Live.

  • Read on for reasons including how Larson’s performance is wholehearted, brave and uncompromising
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THEATRE REVIEW: Oedipus starring Rami Malek, Indira Varma & Cecilia Noble at the Old Vic

By Neil Durham

WORTH A LOOK?: ***1/2

WHEN?: Friday 25 January 2025, opening 4 February and running through 29 March 2025 RUNTIME: 105 minutes (no interval)

There’s so much to rave about in this razor-sharp adaptation of this Greek tragedy containing a 1st stage performance in 18 years by Oscar winner Rami Malek (film Bohemian Rhapsody) but it’s too often left flatfooted by pointless techno dance breaks.

  • Read on for reasons including how from our row 5 seat we can see Malek’s eyes sparkle in the lights as they glaze with tears
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THEATRE REVIEW: Inside No 9 Stage/Fright starring Steve Pemberton & Reece Shearsmith at Wyndham’s Theatre

By Neil Durham

WORTH A LOOK?: ****

WHEN?: Saturday 18 January 2025, running through 5 April 2025 RUNTIME: 140 minutes (including a 20-minute interval) Update: UK tour runs 9 September through 29 November 2025 Tickets

Steve Pemberton (The Pillowman, Duke Of York’s Theatre) and Reece Shearsmith (The Unfriend, Criterion Theatre) are established West End performers and the theatre incarnation of their award-winning anthology TV show Inside No 9 is an elegant full stop to it.

  • Read on for reasons including how this is what Pet Shop Boys and Morecambe and Wise would do
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